Tirupati Balaji

Annamaacharya Balaji Mahatmyam Sundarakanda      

 

 

Transforming the visible things into invisible, invisible into visible - is Mystery.  When you see a piece of old rope in the semi darkness, there are chances that you get shocked of presumption that it was a live snake. Taking that incident as cue, and if you reject and eliminate the "darkness" in other words "lack of knowledge" you will be able to see only the used piece of rope.   In order to get out and get rid of the mysterious dimension of "lack of knowledge" the available, accepted, authenticated and appropriate way is just to pray the lotus feet of Sri Hari 

Sri Taallapaaka Annamaacharya is the first Telugu lyrical hymns creator. He is the personification of devotion towards Sri Venkateswara.  He dedicated his keerthans to the God on whom he has untainted confidence.   Having written around 32,000 keerthans - he never mentioned his name even in a single poem.

Naa naalika pai nundi naa naa sankeerthanalu

                Pooni naache Ninnu  bogadinchitivi..

(You sat on my tongue and made me to sing different hymns and got Yourself praised.  I know that, just for the heck of it, you have allowed me to share the chance of being with You!)

        

That way, whatever he did in writing many keerthans, he gave the credit to Sri Venkatachalapathi and believed that it was so.

The credit of bringing these beautiful keerthans and the credit of bringing the beauty of Telugu to the outside world - should go to Sri Kamisetty Srinivasulu Setty and then to Sri Nedunuri Krishna Murthy - apart from the TTD Authority.

Sangeetha Kalanidhi, Srimaan Raallapalli Ananatha Krishna Sharma - who - as per Sri Kamisetty Srinivasulu Setty - guided and advised about how to sing the Annamaacharya's Keerthans once said that

"All these songs were taken from the copper plates where in the way and modulation of the song was mentioned.  But then, there is an argument that the style and technique they used in those days is not suitable for the present day singing - as every one is looking for new style and modes in singing.   That may be true to an extent, but what I find is that if the singer is devoted and profoundly spiritual and would like to express it by singing these keerthans - then the actual meaning will be understood and explained.

As the students of the music well aware that there is freedom that one Keerthans can be sung in any other, melodious and properly adjustable style instead of prescribed one style ( Raaga) Whatever it may be and however you may try to sing, the utmost importance should be given to the spiritual meaning and devotion towards Sri Srinivasa - and if this can be concentrated, the style and methods of singing will become secondary"

That was about singing methods of Sri Annamacharya Keethans.

In recent times, Sarvasri Sree Rama Chandra Murty Sistla. (Sree Sistla), Canada has employed immeasurable efforts not only to collect over a 1500 Keerthans of Saint Sri Annamacharya but arranged them in FOUR south India languages apart from Sanskrit language for the benefit of the millions of devotees of Sri Tirupati Venkateswara Swami.

The great thing he did was that he also collected the Sri Venkateswara Mahatmyam from the ancient scriptures and again written the same in Telugu, English and Sanskrit with direct translation into English.

He has also written very many keerthans and many of them - including the Annamacharya keerthans are available in MP3 formats.

The measure of effort Sri Sistla has employed can be summed up - with my limited knowledge in English - that there are only maximum 300 Keerthans are in the circulation and out of which most of them are in Telugu.  But if you find the entire lot of 1500 keerthans, you will be surprised that there are many Sanskrit slokas - which can be, rightly used as Stotras to different deities and obtain the blessings.

The site is trying to make some of those Keerthans into Audio formats, to convert them into MP3 formats and made them available in this site.  If any of the viewers with a good voice and experience on Harmony or Violin or Veena - then they can render these selective Keerthans along with the single instrument as back ground so that we can publish them by giving the due credits. 

 

 

 

   
 
 
Links to the tested Annamacharya web sites and blogspots
http://www.gaudiyadiscussions.com
Http://www.andhrabharati.com
Http://www.hindunet.org
Http://www.saranagathi.org/
Http://www.webprapancham.com/
Http://www.annamayyabadi.com/Keertana.htm
Http://www.bhaavana.net/
Http://www.nadatarangini.org/
Http://www.ramanuja.org
Http://www.sistla.org/
Best site
Blogs
Http://bhavayami.blogspot.com/
http://hawkeyeview.blogspot.com/2006/07/
http://poornimap.blogspot.com/
http://carnaticcorner.blogspot.com/2
Http://stutimandal.blogspot.com/
Http://ashutoshg.blogspot.com/
Http://www.geocities.com/hkssv/
 
Sri Annamacharya Keerthans
 

Annamacharya Keerthan   Total 370 - Hindi

 

Annamacharya Keerthan   Total 370 - Telugu

 

Annamacharya Keerthan   Total 370 - English

 
Sri Hari Bhakti Sankeerthan

Sri Hari Bhakti        Total 630   Telugu

 

Sri Hari Bhakti        Total 630   Sanskrit

 

Sri Hari Bhakti        Total 630   English

 

Sri Hari Bhakti        Total 630   Kannada

 

Sri Hari Bhakti        Total 630   Malayalam

 
 
 
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